Founded in 2001 by Katrin Bellinger, the Tavolozza Foundation is a non-profit, charitable organisation based near Munich, Germany. Named Tavolozza, the Italian word for palette, the flat surface on which a painter arranges and mixes paints, the Foundation offers a range of support to museums, galleries and other cultural and educational institutions. This includes providing funding for exhibitions, acquisitions, scholarly publications as well as special projects such as conferences and study days.
The Foundation is particularly interested in furthering research into the theme of the artist at work and promoting it internationally through educational initiatives. Works encompassing that precise subject form the core of the Katrin Bellinger collection, which is also administered by the Foundation (see www.katrinbellingercollection.com).
For information on applying for grants, please e-mail info@tavolozzafoundation.com
The Tavolozza Foundation aims to make works on paper more accessible to the public hoping to heighten awareness of the medium. To this end it offers a range of support to museums, galleries, and other cultural and educational institutions, including providing funding for exhibitions, acquisitions, scholarly publications as well as special projects such as conferences and study days. Digitisation of collections of works on paper with the aim of making them available online to a wider public is another area of support. The Foundation is particularly interested in research furthering understanding around the artistic process relating to the theme of ‘The Artist at Work’.
For more information or to apply for support please e-mail info@tavolozzafoundation.com
Artists and travel have for centuries been intertwined where the desire to explore beyond the confines of one’s home has provoked a truly astonishing outpouring of creativity, much of which was captured through drawings and prints. Comprising over 120 such works, Connecting Worlds. Artists & Travel (Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden, 8 July – 8 October 2023) will be the first exhibition to approach the subject through the lens of artists’ experiences of travel from the Renaissance to the nineteenth century. Select works by contemporary artists offer further inspiring perspectives on the topic of travel and connectivity. This international exhibition project is a collaboration between the Kupferstich-Kabinett and the Katrin Bellinger Collection, London, and is made possible by the complementary strengths of the two collections: the Kupferstich-Kabinett, with its extensive holdings on the themes of travel and science in the early modern period, and the Katrin Bellinger Collection, with its focus on representations of artists engaged in the creative process. The project is supplemented by prominent loans from national and international collections.
Accompanied by a fully illustrated catalogue in English published by Paul Holberton, London.
With support from the Tavolozza Foundation, the Walker Art Gallery, National Museums Liverpool, has undertaken an ambitious project to reopen, redisplay and reimagine its outstanding collection of Medieval, Renaissance and Baroque art. This will include a new Works on Paper Gallery. Learn more about Renaissance Rediscovered: www.liverpoolmuseums.org.uk/renaissance
In winter 2022 as part of its reopening after extensive renovation, Leighton House, London, unveiled its brand new Tavolozza Drawings Gallery. This elegant space offers a permanent and publicly accessible home to its exceptional collection of drawings by Frederic Leighton (1830–1896) and will also host temporary exhibitions of works by other artists.
Find out what’s on at the Tavolozza Drawings Gallery: www.rbkc.gov.uk/museums/whats-on
The Foundation supported the Wallace Collection in the creation of the Riesener Microsite. Launched in 2020, the microsite is dedicated to one of the eighteenth century’s most celebrated furniture-makers, Jean-Henri Riesener (1734–1806). The Wallace Collection has one of the most important holdings of Riesener furniture in the world and this site provides information about his life, his work for the royal French court and his patrons. Most importantly, it examines the furniture at the Wallace Collection, revealing insights into his working methods, the materials he used and the cabinetmaking techniques he employed.
The Foundation supported the initiative to create the first-ever international network of museums based on artists’ former studios or homes: www.artiststudiomuseum.org. Launched in 2016 the network, concentrating on museums in Europe, provides resources and exciting collaborative opportunities intended to inspire future exhibitions and publications. The Tavolozza continues to support the project and its continued growth, as studio museums are added regularly to the website.
The Tavolozza supported the William Shipley Group for RSA History Symposium, held at the Royal Academy on Friday, 27 March 2015, ‘Drawing: A Pre-eminent Skill’. William Shipley (1715-1803) was a drawing master and founder of the Society for the Encouragement of Arts, Manufactures and Commerce in 1754. One of the first aims of the Society was to encourage drawing ability in young boys and girls, in the hope that good design would reinvigorate the British school of painting as well as induce the production of increasingly competitive British manufactured goods. To mark the tercentenary of Shipley’s birth in 2015 and to honour Shipley’s biographer and historian of the Royal Society of Arts (RSA), Dr David G.C. Allan, the William Shipley Group for RSA History held a one-day symposium. The event considered the story of drawing schools from their inception up to the foundation of the Royal Academy, with a focus on the work of Shipley’s own school. It also explored the work of a regional academy. See the Press page for Dr Susanna Avery-Quash’s report on the symposium for the William Shipley Group newsletter.
The principal focus of the Tavolozza is the representation of the artist at work, particularly in the atelier with its original trappings. To this end, the Foundation supports initiatives that explore the subject such as the International Colloquium on Artists’ Studio Museums held at the Watts Gallery, the last remaining artist studio and house of the 19th century retaining its original collection, in Surrey on 15 November 2013.
The aim of the colloquium was to establish an international network of Artists’ Studio Museums. Pioneered by the Watts Gallery in collaboration with Giles Waterfield, Senior Research Fellow, the event explored opportunities for some of the most important Artists’ Studio Museums to promote international co-operation between museums devoted to the preservation of artists’ studios. Speakers included directors and curators from a range of institutions including the Rubenshuis, Antwerp; the Henry Moore Foundation, Much Hadham; Francis Bacon’s Studio, Dublin City Gallery the Hugh Lane; the Max Liebermann Villa, Berlin; the Polenovo Museum, Russia; the Musée Bourdelle, Paris; and the Gallen-Kallela Museum, Helsinki.
A resounding success, the colloquium resulted in establishing a framework to launch the first ever international network of artist’s studio museums.
The Tavolozza Foundation supports public art collections across the United Kingdom, Europe and North America including the following:
The Fitzwilliam Museum
Cambridge (supported the acquisition of the Portrait of Claude-Armand Gérôme)
The Charleston Trust
Charleston, East Sussex
Pitzhanger Manor
Ealing
The Watts Gallery
Guildford, Surrey
Walker Art Gallery
Liverpool
Art UK (website)
London
Sir John Soane’s Museum
London (Trustee; Supporter, ‘Adopt-a-Model’ initiative)
The National Gallery
London (Trustee & The George Beaumont Circle)
The British Museum
London (The Ottley Group & The Vollard Group)
Victoria and Albert Museum
London
The Wallace Collection
London
Leighton House
London
Royal Academy of Art
London
The Courtauld Gallery
London
Foundling Museum
London
Dulwich Picture Gallery
London
The Bowes Museum
Newgate, Barnard Castle
The Ashmolean Museum
Oxford (The Elias Ashmole Society)
Yorkshire Sculpture Park
West Bretton, Wakefield (Supporter Circle)
The Rembrandthuis
Amsterdam
The Staatliche Kunstsammlungen
Dresden
The Kunsthalle
Hamburg
The Kunsthalle
Karlsruhe
The J. Paul Getty Museum
Los Angeles (The Disegno Group)
The Bayrische Staatsgemäldesammlung
Munich
The Metropolitan Museum of Art
New York (Visiting Committee, Department of Drawings and Prints)
The Metropolitan Museum of Art
New York (Visiting Committee for Paper Conservation)
Musée des Arts Décoratifs
Paris
Fitzwilliam Museum
Cambridge
The Foundation also provides funding to a variety of organisations that promote the liberal arts and education.
Scholarship, MA in the in Art Market and the History of Collecting, The University of Buckingham and the National Gallery in association with Waddesdon Manor
Buckingham and London
Scholarship, History of Art and Film Department, University of Leicester
Leicester
Art UK (website)
London
Drawing Room
London
Hospital Rooms
London
IntoUniversity
London
The Royal Opera House
London (Maestro's Circle)
The Royal Drawings School
London (Patron)
Zentralinstitut für Kunstgeschichte
Munich
Corpus der Italienischen Zeichnungen
Munich
Master Drawings Association
New York
The Drawing Foundation
New York
L’Association Mariette
Paris
The University of Reading
Reading
The Hazara Charitable Trust
Romford
AWARE
France
Rheinisches Kuratorium
Germany
CW+
UK
Prince's Trust
UK
BrainWaves Hub
UK
Nuwandas Charity
Factum Foundation
UK
Landscape drawing in the making: materiality – practice – experience, 1500–1800, International study day, Fondazione Giorgio Cini, Venice, 14–15 March 2024
Annual Master Drawings Symposium, Villa Albertine, The Payne Whitney Mansion, New York, 30 January 2024
ICRA (International Catalogue Raisonné Association) Annual Conference 2023, On Paper, The Royal Academy of Arts London, 5 December 2023
Stefania Mason, “Tomo sixth Giacomo Palma”: the drawings of Palma the Younger in the Sagredo collection, ZeL Edizioni, forthcoming
Loretta Vandi, Eufrasia Burlamacchi, Lund Humphries, forthcoming
Jacqueline Marie Musacchio, The Art and Life of Francesca Alexander (1837–1917), Lund Humphries, London, forthcoming 2025
Les artistes voyageurs: formes et fonctions du dessin de voyage, conference proceedings, XVIIes Rencontres internationales du Salon du dessin (Petit auditorium, Palais Brongniart, Place de la Bourse, Paris, 20–21 March 2024), forthcoming
Alina Bock, Humor im Bild bei Adolph Schroedter, Michael Imhof Verlag, Petersberg, forthcoming
Clare Hornsby and Caroline Barron, G.B. Piranesi Print Catalogue, The British School at Rome, forthcoming
François Marandet, Louis Galloche (1670-1761): Un peintre de « Poesie » au 18ème siècle, Silvana Editoriale, Milan, forthcoming 2024
Emma Jones, Schinkel in Perspective: The Architect as Illusionist in Nineteenth Century Prussia, Cambridge, Mass.: MIT Press, forthcoming
Dominique Jacquot, Simon Vouet, Cohen&Cohen éditeurs, Paris, forthcoming
Hedda Finke and Stephan von Wiese, Werkverzeichnis der Zeichnungen Max Beckmanns, Hirmer Verlag, forthcoming
Professor Rocco Sinisgalli, De Prospectiva Pingendi by Piero della Francesca, The MIT Press, forthcoming
Drs Adriano Aymonino and Silvia Davoli, Paper Marbles: Pier Leone Ghezzi’s “Studio di Molte Pietre”, The MIT Press, forthcoming 2025
Heather McPherson, Picturing the Artist’s Studio, from Delacroix to Picasso, Lund Humphries, London, 2024
Special issue of Upstate Diary dedicated to Georgia O’Keeffe, 2024
Michael Roggendorf, Johann Georg von Dillis. Der unbekannte Radierer, Edition Fichter, 2024
Maria Aresin and Thomas dalla Costa, eds., Venetian Disegno: New Frontiers, Paul Holberton Publishing, London, 2024
Alice Ottazzi, Tresors d’une ile. La ricezione della scuola inglese a Parigi nel XVIII secolo, Polistampa, 2024
Silvano Levy, Mary Wykeham: Surrealist out of the Shadows, Lund Humphries, London, 2023
Hanno Tiesbrummel, Velazquez Und Die Mythologie: Zur Entstehung Von Sinn in Form Und Prasenz, Gebruder Mann Verlag, 2023
Nancy Siegel, Susie M. Barstow: Redefining the Hudson River School, Lund Humphries, London, 2023
Dorothy Price and Barnaby Wright, eds., Claudette Johnson: Presence, The Courtauld & Paul Holberton Publishing, 2023
Alma Zevi, Not Vital: Sculptures, Skira, Milan, 2023
June 2023 issue of Burlington Contemporary, issue 8: Drawing
Special issue of Upstate Diary, no. 16, 2023
David Solkin ed., Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism, The Courtauld & Paul Holberton Publishing, 2022
Dr Noam Andrews, The Polyhedrists: Art and Geometry in the Long Sixteenth Century, The MIT Press, 2022
Nico Kirchberger, ed., Grand Tour XXL: Der Reisekünstler Emel‘jan Korneev, exhibition catalogue, Münchner Stadtmuseum, Munich, 2021
Autumn 2021 issue of Master Drawings Journal (Volume 59, Number 3)
Hui Luan Tran, Vor-Bildliches Sterben. Der Tod der Kleopatra als bildtheoretisches Motiv in der Frühen Neuzeit, zephir 9, Edition Imorde, 2020
Dr Marianne Koos, ‘Malerei als Augentrug. Alexander Roslins Selbstporträt mit Marie Suzanne Giroust-Roslin an der Staffelei’, in: Zeitschrift für Kunstgeschichte 83 (2020), pp. 506-553
Sarah Ferrari and Alessandra Pattanaro, eds., Disegnare l’antico, riproporre l’antico nel Cinquecento. Taccuini, copie e studi intorno a Girolamo da Carpi, Padova University Press, Padua, 2019
Jan Marsh, with contributions by Peter Funnell, Charlotte Gere, Pamela Gerrish Nunn, and Alison Smith, Pre-Raphaelite Sisters, exhibition catalogue, National Portrait Gallery, London, 2019
Catherine Jenkins, Nadine M. Orenstein, and Freyda Spira, The Renaissance of Etching, exhibition catalogue, The Metropolitan Museum of Art, New York, 2019
Kate Macfarlane (ed.), with an essay by Hannah Williams and texts by Marco Livingstone, Deanna Petherbridge, Karsten Schubert, Anita Viola Sganzerla and Colin Wiggins, Close: Drawn Portraits, exhibition catalogue, Drawing Room, London, 2018
Dr. Nino Nanobashvili, Die Ausbildung von Künstlern und Dilettanti: Das ABC des Zeichnens, Michael Imhof Verlag, Petersberg, 2018
Deanna Petherbridge and Anita V. Sganzerla, Artists at Work, Paul Holberton Publishing with The Courtauld Gallery, London, 2018
Dr. Thea Vignau-Wilberg, Joris and Jacob Hoefnagel: Art and Science Around 1600, Hatje Cantz, Berlin, 2017
Sonja Brink and Beat Wismer (eds.), Idea Et Inventio: Italienische Zeichnungen des 15. und 16. Jahrhunderts aus der Sammlung der Kunstakademie Düsseldorf im Museum Kunstpalast, Band1, Imhof Verlag, Petersberg, 2017
Michael Plomp, Martin Sonnabend and Christoph Vogtherr (eds.), Watteau, Thoth, Uitgeverij, 2017
Building Identity: Chaim Gross and Artist’s Homes and Studios in New York City, 1953-74, The Renee & Chaim Gross Foundation, New York, 2017
Lucia Tantardini, Aurelio Luini: The Complete Paintings and Drawings, Ugo Bozzi Editore, Rome (in preparation)
Yuri Primarosa, Ottavio Leoni (1587-1630), eccellente miniator di ritratti. Catalogo ragionato dell’opera grafica e pittorica, Ugo Bozzi Editore, Rome, 2017
Nicole Hegener (ed.), Nackte Gestalten: Die Wiederkehr des antiken Akts in der Renaissanceplastik/Naked Revival: The Return of the Ancient Nude in Renaissance Sculpture, proceedings of international conference, The Humboldt-Universität zu Berlin, 7-9 April 2016 (forthcoming, expected 2021)
Special issue of Upstate Diary dedicated to Alexander Calder, 2, 2016
Sibylle Appuhn-Radtke, Josef H. Biller, Dagmar Dietrich and Maria-Luise Hopp-Gantner (eds.), Johann Andreas Wolff (1652–1716) – Hofmaler und Kunstintendant, Munich, 2016
Kurt Zeitler (ed.), Linien – Musik des Sichtbaren: Festschrift für Michael Semff, Berlin, 2015
Notes in Honor of William W. Robinson, special issue of Master Drawings, 53, no. 4 (Winter 2015)
Adriano Aymonino and Anne Varick Lauder, Drawn from the Antique: Artists & the Classical Ideal, Libanus Press with Sir John Soane’s Museum, London and The Teylers Museum, Haarlem, 2015
Peter Märker, Carl Philipp Fohr 1795-1818. Monographie und Werkverzeichnis, Munich, 2015
Kurt Zeitler, Linien – Musik des Sichtbaren: Festschrift für Michael Semff, Berlin and Munich, 2015
Florian Härb, The Drawings of Giorgio Vasari (1511-1574), Rome, 2015
Gottfried Boehm, Matthias Schaller: Das Meisterstück, 2015
Stijn Alsteens, ‘The Drawings of Pieter Coecke van Aelst’, Master Drawings, 52, no. 3 (Autumn 2014)
Claudia Schnitzer, Constellation Felix: Die Planetenfeste Augusts des Starken anlässlich der Vermählung seines Sohnes Friedrich August mit der Kaisertochter Maria Josepha 1719 in Dresden, Kupferstich-Kabinett, Dresden, 2014
Peter Schatborn and Leonore van Sloten, Old Drawings, New Names: Rembrandt and his Contemporaries, Amsterdam, 2014
Adriano Aymonino, with Lucy Gwynn and Mirco Modolo, Paper Palaces: The Topham Collection as a Source for British Neo-Classicism, Eton College, 2013
Emmanuelle Brugerolles, Georges Brunel and Camille Debraban, The Male Nude: Eighteenth-century Drawings from the Paris Academy, London, 2013
Fritz Koreny, Hieronymus Bosch. Die Zeichnungen. Werkstatt und Nachfolge bis zum Ende des 16. Jahrhunderts, Turnhout, 2012
The Foundation sponsors many exhibitions and catalogues of Old Master drawings, paintings as well as contemporary art.
TACTICS AND MYTHOLOGIES: ANDREA OREJARENA & CALEB STEIN
DEICHTOR HALLEN HAMBURG 7 September 2024 — 26 January 2025
Impulse Rembrandt. Teacher Strategist Bestseller
Museum der bildenden Künste Leipzig 3 October 2024 — 26 January 2025
Learn more: mdbk.de/en/exhibitions/rembrandt/
Rembrandt out of the dark
Museen Stade 28 September 2024 — 26 January 2025
Michelangelo, Leonardo, Raphael – Florence, c. 1504
Royal Academy of Art, London 9 November 2024 — 16 February 2025
Caspar David Friedrich, Goethe und die Romantik in Weimar
Klassik Stiftung Weimar 22 November 2024 — 2 March 2025
William Blake’s Universe
Hamburger Kunsthalle 14 June — 8 September 2024
Careers by design: Hendrick Goltzius & Peter Paul Rubens
Pinakothek der Modern, München 13 June — 15 September 2024
Extravagante Renaissance: Geoffroy Dumonstier, de Rouen à Fontainebleau
Pôle culturel Grammont, Rouen 1 October 2024 — 4 January 2025
Claude Lorrain, Drawings and Etchings
Château de Chantilly 2 March — 19 May 2024
Women Reframe American Landscape: Susie Barstow & Her Circle. Contemporary Practices
Thomas Cole National Historic Site, Catskill, NY 6 May — 29 October 2023
Learn more: https://thomascole.org/reframe/
The Allure of Rome. Maarten van Heemskerck draws the city
Kupferstichkabinett Berlin 26 April — 4 August 2024
James Ensor. Inspired by Brussels
Palace of Charles of Lorraine, Brussels 22 February — 2 June 2024
Information: www.kbr.be/en/agenda/expo-ensor/
Botticelli Drawings
Legion of Honor, Fine Arts Museum of San Francisco 18 November 2023 — 11 February 2024
Die Freiheit der Linie – Callot, Della Bella, Castiglione und die Radierung im 17. Jahrhundert
Landesmuseum, Mainz 9 September — 3 December 2023
Claudette Johnson
The Courtauld Gallery, London 29 September 2023 — 14 January 2024
A founding member of the Black British Art Movement, Claudette Johnson is considered one of the most significant figurative artists of her generation. For over 30 years she has created large-scale drawings of Black women and men that are at once intimate and powerful.
Read more: courtauld.ac.uk/whats-on/claudette-johnson/
Rubens & Women
Dulwich Picture Gallery, London 27 September 2023 — 28 January 2024
Discover a different side to Rubens and learn how the leading women in his life came to shape the artist we know today.
Read more: www.dulwichpicturegallery.org.uk/whats-on/exhibitions/2023/september/rubens-women/
Gwen John: Art and Life in London and Paris
Pallant House Gallery, Chichester 13 May — 8 October 2023
Uncover the life, loves and influences of Gwen John, a groundbreaking modern artist.
Read more: pallant.org.uk/whats-on/gwen-john-art-and-life/
Painted Love: Renaissance Marriage Portraits
The Holburne Museum, Bath, UK 26 March — 1 October 2023
Lavinia Fontana: Trailblazer, Rule Breaker
National Gallery of Ireland 6 May — 27 August 2023
German Expressionists & The Third Reich
Holt Festival, Norfolk 15 July — 29 July 2023
Antoine Caron (1521-1599). Le théâtre de l’Histoire
Musée National De La Renaissance - Château D'ecouen 5 April — 3 July 2023
Claude Gillot
Musée du Louvre, Paris 9 November 2023 — 12 February 2024
A draughtsman and printmaker in the last years of the Grand Siècle, Claude Gillot is known for the inventiveness and originality of his works, heralding the freedom of expression and mores of the Régence period (1715–1723).
Read more: www.louvre.fr/en/what-s-on/exhibitions/claude-gillot
Portraits of Dogs: From Gainsborough to Hockney
Wallace Collection, London 29 March — 15 October 2023
The Rossettis
Tate Britain, London 6 April — 24 September 2023
»PARIS IS MY LIBRARY« Drawings and Prints by Félicien Rops
Hamburger Kunsthalle
10 February — 7 May 2023
Held in the Harzen-Kabinett of the Hamburger Kunsthalle, the exhibition will for the first time present up to one hundred sheets from the extensive collection of prints and drawings by the artist. Read more: www.hamburger-kunsthalle.de/en/exhibitions/paris-my-library
Donatello: Sculpting the Renaissance
Victoria & Albert Museum, London 11 February — 11 June 2023
The Van de Veldes: Greenwich, Art and the Sea
Queen's House, Royal Museums Greenwich 2 March 2023 — 14 January 2024
Beyond the Light: Identity and Place in Nineteenth-Century Danish Art
The Met, New York 26 January — 16 April 2023
ANTIKE ERFINDEN. Martin von Wagner und Homers Ilias
Martin von Wagner Museum, Würzburg 25 March — 25 June 2023
Making Modernism. Paula Modersohn-Becker, Käthe Kollwitz, Gabriele Münter and Marianne Werefkin
Royal Academy of Arts, London 12 November 2022 — 12 February 2023
Der letzte Romantiker. Albert Venus
Staatliche Kunstsammlungen Dresden, Kupferstich-Kabinett 8 October 2022 — 22 January 2023
The Universe on Paper. The Art of Linda Karshan
Domvs Comeliana, Pisa
13 October — 16 October 2022
Fuseli and the Modern Woman: Fashion, Fantasy, Fetishism
The Courtauld Gallery, London 14 October 2022 — 8 January 2023
Inspiring Walt Disney: The Animation of French Decorative Arts
The Wallace Collection, London 6 April — 16 October 2022
This exhibition displays American 20th-century hand-drawn animation alongside French 18th-century art to reveal the surprising and enchanting connections between these two artistic movements.
Read more: www.wallacecollection.org/art/exhibitions-displays/inspiring-walt-disney/
A Century of the Artist’s Studio 1920 – 2020
Whitechapel Gallery, London 24 February — 5 June 2022
Whitechapel Gallery presents a 100-year survey of the studio through the work of artists and image-makers from around the world.
Read more: https://www.whitechapelgallery.org/exhibitions/a-century-of-the-artists-studio-1920-2020/
Hogarth and Europe
Tate Britain, London 3 November 2021 — 20 March 2022
Zauber des Realen: Bernardo Bellotto am sächsischen Hof
Gemäldegalerie Alte Meister, Dresden
21 May — 28 August 2022
Königliches Schloss, Warschau
23 September 2022 — 8 January 2023
Jacques Louis David: Radical Draftsman
Metropolitan Museum of Art, New York 17 February — 15 May 2022
Holbein: Capturing Character
Morgan Library & Museum, New York 11 February — 15 May 2022
Reframed: The Woman in the Window
Dulwich Picture Gallery 4 May — 4 September 2022
The first exhibition to explore the enigmatic motif of the ‘woman in the window’. Featuring artworks from ancient civilisations to present day, the exhibition will bring together over 40 works by artists including Rembrandt Harmensz van Rijn, Dante Gabriel Rossetti, David Hockney, Louise Bourgeois, Cindy Sherman, Wolfgang Tillmans and Rachel Whiteread to reveal how artists have long used the motif to elicit a particular kind of response ranging from empathy to voyeurism.
Absent Artists
Charleston, East Sussex 2 April — 29 August 2022
Curated by Langlands & Bell.
Read more: https://www.charleston.org.uk/exhibition/absent-artists/
Albrecht Dürer: Renaissance et Gravure
Musée Condé, Chantilly, France 4 June — 2 October 2022
werden/becoming. L’accademia delle Arti del Disegno di Firenze und die Kunstakademie Düsseldorf. From Michelangelo to the Future
Tiroler Landesmuseen, Innsbruck 3 December 2021 — 18 April 2022
Color into Line: Pastels from the Renaissance to the Present
Legion of Honor, Fine Arts Museums of San Francisco 9 October 2021 — 13 February 2022
Read more: www.famsf.org/press-room/pastel-color-line
BAROQUE BRILLIANCE Drawings and Prints by Giovanni Benedetto Castiglione
Kunsthaus Zürich 10 December 2021 — 6 March 2022
By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500–1800
Wadsworth Atheneum Museum of Art, Hartford, CT 30 September 2021 — 9 January 2022
Goya’s Graphic Imagination
Metropolitan Museum of Art, New York 12 February — 2 May 2021
Der Arbeit die Schönheit geben. Tiepolo und seine Werkstatt in Würzburg
Martin von Wagner Museum der Universität Würzburg, Gemäldegalerie 31 October 2020 — 15 July 2021
Turner’s Modern World
Tate Britain, London 28 October 2020 — 12 September 2021
Städel’s Legacy. Master Drawings from the Founder’s Collection
Städel Museum, Frankfurt am Main 13 May — 16 August 2020
Piranesi drawings: visions of antiquity
British Museum, London 20 February — 9 August 2020
Carmontelle (1717-1806)
Musée Condé, Chantilly, France 5 September 2020 — 3 January 2021
Forgotten Masters: Indian Painting for the East India Company
The Wallace Collection, London 4 December 2019 — 19 April 2020
Pre-Raphaelite Sisters
National Portrait Gallery, London 17 October 2019 — 26 January 2020
Picasso and Paper
Royal Academy of Arts 25 January — 13 April 2020
Edmund de Waal: psalm
Venice 8 May — 29 September 2019
Learn more here: www.edmunddewaal.com/news/psalm
Rembrandt’s Mark (Rembrandts Strich)
Kupferstich-Kabinett, Residenzschloss, Dresden 14 June — 15 September 2019
The exhibition celebrated Rembrandt as artists’ artist – as teacher, paragon, source of inspiration, authority and challenge for others.
See: https://kupferstich-kabinett.skd.museum/en/exhibitions/rembrandts-mark/
The Nude Mona Lisa
Musée Condé, Chantilly, France 1 June — 6 October 2019
For the 500th anniversary of Leonardo’s death, the Domaine de Chantilly celebrated the artist’s genius through one of his lesser-known and enigmatic yet seminal work: the Nude Mona Lisa.
See: www.domainedechantilly.com/en/event/the-nude-mona-lisa/
Drawing in Tintoretto’s Venice
The Morgan Library & Museum, New York 12 October 2018 — 6 January 2019
Idea and Inventio: Italian drawings of the 15th and 16th Centuries
Museum Kunstpalast, Düsseldorf
24 March — 18 June 2017
Musée d’art et d’histoire, Geneva
29 September 2017 — 7 January 2018
Hardly any period brought to the fore as many epochal artists in Italy as the 15th and 16th centuries. The broad spectrum of artists shown in this exhibition ranged from Perugino and Raffael, to Michelangelo, Veronese and Barocci through to Vasari.
The Encounter: Drawings from Leonardo to Rembrandt
National Portrait Gallery, London 13 July — 22 October 2017
The creative encounter between individual artists and sitters was explored in this major exhibition featuring portrait drawings by some of the outstanding masters of the Renaissance and Baroque periods.
Raphael: The Drawings
The Ashmolean, Oxford 1 June — 3 September 2017
Not Vital
Yorkshire Sculpture Park, West Bretton, Wakefield 21 May 2016 — 2 January 2017
See: YSP/Not-Vital
Making Colour
National Gallery, London 18 June — 7 September 2014
Franz Ludwig Catel: Italienbilder der Romantik
Hamburger Kunsthalle 16 October 2015 — 31 January 2016
Further information www.hamburger-kunsthalle.de/
Goya: The Witches and Old Women Album
The Courtauld Gallery, London 26 February — 25 May 2015
Johann Christian Reinhart, Ein deutscher Landschaftsmaler in Rom
Kunsthalle Hamburg 26 October 2012 — 27 January 2013
Master Drawings
Ashmolean Museum, Oxford 25 May — 18 August 2013
Fragonard, Poesie und Leidenschaft
Kunsthalle Karlsruhe 30 November 2013 — 23 February 2014
The Beauty of the Line: Stefano della Bella as a Draughtsman
Kunsthalle Hamburg 25 October 2013 — 26 January 2014
The Young Dürer: Drawing the Figure
The Courtauld Gallery, London 17 October 2013 — 12 January 2014
A Victorian Obsession: The Pérez Simón Collection
Leighton House Museum, London 14 November 2014 — 6 April 2015
Drawn from the Antique: Artists & the Classical Ideal
Sir John Soane’s Museum, London
25 June — 26 September 2015
Teylers Museum, Haarlem
11 March — 31 May 2015
Further information www.soane.org
Silent Partners: Artist and Mannequin from Function to Fetish
Musée Bourdelle, Paris
31 March — 12 July 2015
The Fitzwilliam Museum, Cambridge
4 October 2014 — 25 January 2015
Further information www.fitzmuseum.cam.ac.uk and www.bourdelle.paris.fr